{"id":523,"date":"2014-03-17T12:47:16","date_gmt":"2014-03-17T11:47:16","guid":{"rendered":"http:\/\/lanarao.wordpress.com\/?page_id=25"},"modified":"2016-09-10T22:22:42","modified_gmt":"2016-09-10T20:22:42","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/www.complessovocalenuoro.it\/?page_id=523","title":{"rendered":"Repertorio"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/a><\/p>\n

Classico e Romantico<\/span><\/h4>\n<\/td>\n<\/tr>\n

Brahms,\u00a0Johannes (1833-1897)<\/td>\nAbendlied, op.92 nr. 3\u00a0a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nAbendst\u00e4ndchen op. 42 nr. 1 a 6 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nDarthulas Grabesgesang op. 42 nr. 3 a 6 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nDas M\u00e4dchen op. 93 nr. 2 a 4 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nDem Himmel will ich klagen\u00a0(Sieben Volklieder, II)
\na 4 v. e\u00a0pianoforte <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nDer Abend op. 64 nr. 2 a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nEs sa\u00df ein schneewei\u00df V\u00f6gelein\u00a0(Sieben Volkslieder, III)
\na 4 v. e\u00a0pianoforte <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nFahr wohl, o V\u00f6glein op. 93 nr. 4 a 4 v.<\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nGeistliches Lied op. 30 [P. Flemming] a 4 v. e organo <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nIch schwing mein Horn ins Jammertal op. 41
\na 4 v. masch. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nIn stiller Nacht a 4 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nNachtigall, sag (Sieben Volkslieder, VI)
\na 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nNachtwache I op. 104 nr. 1 a 6 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nNachtwache II op. 104 nr. 2 a 6 v. <\/i><\/td>\n<\/tr>\n
Brahms, Johannes (1833-1897)<\/td>\nO\u00a0Heiland, Rei\u00df die Himmel auf op. 74 nr. 2 a 4 v. <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nO sch\u00f6ne Nacht op. 92 nr. 1 a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nO s\u00fc\u00dfer Mai a 4 v. <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nSp\u00e4therbst op. 92 nr. 2 a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nVineta op. 42 nr. 2 a 6 v. <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nWarum, op. 92 nr. 4 a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Brahms,\u00a0Johannes (1833-1897)<\/td>\nWiegenlied op. 49 nr. 4 a 4 v. <\/i><\/td>\n<\/tr>\n
Bruckner Anton (1824-1896)<\/td>\nChristus factus est a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Bruckner, Anton (1824-1896)<\/td>\nAve Maria a 7 v. <\/i><\/td>\n<\/tr>\n
Bruckner, Anton (1824-1896)<\/td>\nOs justi a 8 v. <\/i><\/td>\n<\/tr>\n
Bruckner, Anton (1824-1896)<\/td>\nTantum ergo a 4 v. <\/i><\/td>\n<\/tr>\n
Gasparini, Quirino (1721-1778)<\/td>\nAdoramus te a 4 v. <\/i><\/td>\n<\/tr>\n
Gen\u00e9e,\u00a0Richard (1823-1895)<\/td>\nInsalata Italiana a 4 v. <\/i><\/td>\n<\/tr>\n
Giardini, Felice (1716-1796)<\/td>\nViva tutte le vezzose a 3 v. <\/i><\/td>\n<\/tr>\n
Grieg,\u00a0Edvard (1843-1907)<\/td>\nAve, Maris Stella a 8 v. <\/i><\/td>\n<\/tr>\n
Gruber,\u00a0Franz Xavier (1787-1863)<\/td>\nStille nacht a 4 v. <\/i><\/td>\n<\/tr>\n
H\u00e4ndel,\u00a0Georg Friedrich (1685-1759)<\/td>\nDixit Dominus per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Haydn,\u00a0Joseph (1732-1803)<\/td>\nMissa Cellensis per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Liszt,\u00a0Franz (1811-1886)<\/td>\nO salutaris hostia a 4 v. <\/i><\/td>\n<\/tr>\n
Loewe,\u00a0Carl (1796-1869)<\/td>\nQuem pastores laudavere a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Abschied vom Wald op. 59 nr. 3 a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Beati mortui a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Denn Er hat seinen Engeln befohlen
\na 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Die Nachtigall op. 59 nr. 4 a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Hark! the herald angels sing a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Herbstlied op. 48
\nnr. 6 a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Herr, nun l\u00e4ssest du deinen Diener in Frieden fahren op. 69 nr. 1
\na 4\u00a0v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Im Advent (Sechs Spr\u00fcche, V) a 8 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Jauchzet dem Herrn per soli e coro a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Jauchzet dem Herrn op.69 nr. 2 a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Laudate pueri op. 39 nr. 2 a 3 v. femm. e organo <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Mitten wir im leben sind op. 23 nr. 3 a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Richte mich, Gott op. 78 nr. 2 a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Surrexit Pastor bonus op. 39 nr. 3 a 4 v. femm. e organo <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Trauergesang op. 116 a 4 v. <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Veni Domine op. 39 nr. 1 a 3 v. femm. e organo <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Vespergesang op. 121\u00a0\u00a0 a 4 v. masch. e violoncello <\/i><\/td>\n<\/tr>\n
Mendelssohn Bartholdy, Felix
\n(1809 – 1847)<\/td>\n		Weihnachten (Sechs Spr\u00fcche, VI) a 8 v. <\/i><\/td>\n<\/tr>\n
Pearsall, Robert Lucas (1795 – 1856)<\/td>\nLay a garland a 8\u00a0v. <\/span><\/td>\n<\/tr>\n
Reger,\u00a0Max (1873-1916)<\/td>\nNinna nanna di Maria a 5 v. <\/i><\/td>\n<\/tr>\n
Schubert, Franz (1797-1828)<\/td>\nAn die Sonne a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Schubert, Franz (1797-1828)<\/td>\nDie Nacht op. 17 nr. 4 a 4 v. masch.<\/td>\n<\/tr>\n
Schubert, Franz (1797-1828)<\/td>\nGott ist mein Hirt op. post.\u00a0132 D 706
\na 4 v. 1femm. e pianoforte <\/i><\/td>\n<\/tr>\n
Schubert, Franz (1797-1828)<\/td>\nGrab und Mond [J.G. Seidl] a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Schubert, Franz (1797-1828)<\/td>\nSt\u00e4ndchen op. 135 [F. Grillparzer]
\nper contralto, coro maschile e\u00a0pianoforte <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDas Hochlandm\u00e4dchen a 4 v. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDer tr\u00e4umende See op. 33 a 4 v. masch.<\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDer tr\u00e4umende See op. 33 nr. 1 a 4 v. masch.<\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDer Wassermann a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDie Capelle op. 69 nr. 6 a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nDie Minnes\u00e4nger op. 33 nr. 2 a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nJ\u00e4ger Wohlgemuth op. 91 nr. 2 a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nLied op. 29 nr. 2 a 3 v. femm. e pianoforte <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nSoldatenbraut a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Schumann, Robert (1810-1856)<\/td>\nZigeunerleben op. 29 nr. 3 a 4 v. e pianoforte <\/i><\/td>\n<\/tr>\n
Stanford, Charles Villiers (1852-1924)<\/td>\nBeati quorum via a 6 v.<\/td>\n<\/tr>\n
Tchaikovsky, Pyotr Ilyic (1840-1893)<\/td>\nPater noster a 4 v. <\/i><\/td>\n<\/tr>\n
<\/a><\/p>\n

Coro e Orchestra<\/span><\/h4>\n<\/td>\n<\/tr>\n

Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nCantata BWV 118 O Jesu\u00a0Christ, mein’s Lebens Licht
\nper soli, coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto\u00a0BWV 226 Der Geist hilft unser Schwachheit auf
\na 8 v. per doppio coro e\u00a0b.c.<\/i><\/span><\/span><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 227 Jesu, meine\u00a0Freude
\na 5 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750) <\/span><\/td>\nMotetto\u00a0BWV 228 F\u00fcrchte dich nicht, ich bin bei dir
\na 8 v. per doppio coro e\u00a0b.c.<\/i><\/span><\/span><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 229 Komm, Jesu,\u00a0komm
\na 8 v. per doppio coro e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750) <\/span><\/td>\nMotetto\u00a0BWV 230 Lobet den Herrn, alle Heiden
\na 4 v. e b.c.<\/i><\/span><\/span><\/td>\n<\/tr>\n
Charpentier,\u00a0Marc-Antoine
\n(ca. 1634-1704)<\/td>\n		Messe de Minuit pour No\u00ebl per\u00a0soli, coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Charpentier,\u00a0Marc-Antoine
\n(ca. 1634-1704)<\/td>\n		Te Deum per soli, coro e\u00a0orchestra<\/i><\/i><\/td>\n<\/tr>\n
Durante,\u00a0Francesco (1684-1755)<\/td>\nMagnificat per soli,\u00a0coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684)<\/td>\nA la flor abejuelas a 4\u00a0v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684)<\/td>\nBuela, buela feliz mariposa\u00a0a 3 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684) <\/span><\/td>\nFenix\u00a0que en llamas de amor a 4 v. e b.c.<\/i><\/span><\/span><\/td>\n<\/tr>\n
H\u00e4ndel,\u00a0Georg Friedrich (1685-1759)<\/td>\nDixit Dominus per soli,\u00a0coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Haydn,\u00a0Joseph (1732-1803)<\/td>\nMissa Cellensis per\u00a0soli, coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nBeatus Vir Primo
\na 6 v.\u00a0concertato con 2 violini e 3 viole<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nConfitebor Secondo
\na 3\u00a0v. concertato con due violini<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nConfitebor Terzo alla\u00a0francese a 5 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nConfitebor tibi Domine a\u00a04 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nDixit Secondo a 8 v. e\u00a0b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nDomine ne in furore tuo a\u00a0sei v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nLaetaniae della Beata\u00a0Vergine a 6 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nLauda Jerusalem a 5 v. e\u00a0b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nLaudate Dominum Secondo a\u00a08 v. e 2 violini<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nLaudate Dominum Terzo a\u00a08 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nLaudate pueri a 5 v. e\u00a0b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nMagnificat Secondo a 4\u00a0v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nNisi Dominus a 6 v. e\u00a0b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nSalve Regina a 2 v. e\u00a0b.c.<\/i><\/i><\/td>\n<\/tr>\n
Monteverdi,\u00a0Claudio (1567-1643)<\/td>\nSestina – Lagrime d’amante\u00a0al sepolcro dell\u2019amata
\na\u00a05 v. e b.c.<\/i><\/i><\/td>\n<\/tr>\n
Pergolesi,\u00a0Giovanni Battista (1710 – 1736)<\/td>\nConfitebor tibi Domine per\u00a0soli, coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
Pergolesi,\u00a0Giovanni Battista (1710 – 1736)<\/td>\nDomine ad adjuvandum me\u00a0festina
\nper soli, coro e\u00a0orchestra<\/i><\/i><\/td>\n<\/tr>\n
Vivaldi,\u00a0Antonio (1678-1741)<\/td>\nBeatus Vir RV 597
\nper\u00a0soli, doppio coro e doppia orchestra<\/i><\/i><\/td>\n<\/tr>\n
Vivaldi,\u00a0Antonio (1678-1741)<\/td>\nGloria in re maggiore RV\u00a0589
\nper soli, coro e orchestra<\/i><\/i><\/td>\n<\/tr>\n
<\/a><\/p>\n

Canto Gregoriano<\/span><\/h4>\n<\/td>\n<\/tr>\n

Ad\u00a0te levavi<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Ad\u00a0te, Domine, levavi<\/td>\nOffertorium<\/i><\/i><\/td>\n<\/tr>\n
Adorabunt\u00a0eum<\/td>\nPsalmus\u00a0responsorius\u00a0 71<\/i><\/i><\/td>\n<\/tr>\n
Agnus\u00a0Dei<\/td>\n(Cum iubilo)<\/i><\/i><\/td>\n<\/tr>\n
Agnus\u00a0Dei<\/td>\n(Orbis factor)<\/i><\/i><\/td>\n<\/tr>\n
Agnus\u00a0Dei<\/td>\n(Pater cuncta)<\/i><\/i><\/td>\n<\/tr>\n
Alleluia.\u00a0Adorabo<\/td>\nVersus\u00a0alleluiaticus<\/i><\/i><\/td>\n<\/tr>\n
Alleluia.\u00a0Dies santificatus<\/td>\nVersus\u00a0alleluiaticus<\/i><\/i><\/td>\n<\/tr>\n
Alleluia.\u00a0Pascha nostrum<\/td>\nVersus\u00a0alleluiaticus<\/i><\/td>\n<\/tr>\n
Alleluia.\u00a0Qui timent Dominum<\/td>\nVersus\u00a0alleluiaticus<\/i><\/td>\n<\/tr>\n
Alma\u00a0redemptoris Mater<\/td>\nSequentia<\/i><\/i><\/td>\n<\/tr>\n
Ascendit\u00a0Deus – Omnes gentes<\/td>\nAntiphona cum\u00a0psalmus 46<\/i><\/i><\/td>\n<\/tr>\n
Asperges\u00a0me – Miserere mei, Deus<\/td>\nAntiphona cum\u00a0psalmus 50<\/i><\/i><\/td>\n<\/tr>\n
Assumpta\u00a0es Maria – Cantate Domino<\/td>\nAntiphona cum\u00a0psalmus 97<\/i><\/i><\/td>\n<\/tr>\n
Aufer\u00a0a me<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Ave\u00a0Maria – Ad te, Domine, levavi animam meam<\/td>\nAntiphona cum\u00a0psalmus 24<\/i><\/i><\/td>\n<\/tr>\n
Ave\u00a0Maris Stella<\/td>\nHymnus<\/i><\/i><\/td>\n<\/tr>\n
Ave\u00a0Virgo sanctissima<\/td>\nManoscritto P\u00a0XIII di Oristano<\/i><\/i><\/td>\n<\/tr>\n
Beata\u00a0mater – Laudate pueri<\/td>\nAntiphona cum\u00a0psalmus 112<\/i><\/i><\/td>\n<\/tr>\n
Beatam\u00a0me dicent<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Beatus\u00a0vir<\/td>\nPsalmus\u00a0responsorius 111<\/i><\/i><\/td>\n<\/tr>\n
Bonum\u00a0est confiteri<\/td>\nPsalmus\u00a0responsorius 91<\/i><\/i><\/td>\n<\/tr>\n
Confitemini\u00a0Domino<\/td>\nPsalmus\u00a0responsorius 117<\/i><\/i><\/td>\n<\/tr>\n
Credo\u00a0videre bona Domini – Dominus illuminatio mea<\/td>\nAntiphona cum\u00a0psalmus 26<\/i><\/i><\/td>\n<\/tr>\n
Crucem\u00a0tuam<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
Deus\u00a0in adjutorium – Dixit Dominus<\/td>\nAntiphona cum\u00a0psalmus 109<\/i><\/i><\/td>\n<\/tr>\n
Dicite:\u00a0Pusillanimes<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Diligite\u00a0Dominum – In te Domine speravi<\/td>\nAntiphona cum\u00a0psalmus 30<\/i><\/i><\/td>\n<\/tr>\n
Dominus\u00a0dixit ad me – Quare fremuerunt<\/td>\nAntiphona cum\u00a0psalmus 2<\/i><\/i><\/td>\n<\/tr>\n
Dominus\u00a0pascit me<\/td>\nPsalmus\u00a0responsorium 22<\/i><\/i><\/td>\n<\/tr>\n
Dominus\u00a0regnavit<\/td>\nPsalmus\u00a0alleluiaticus 96<\/i><\/i><\/td>\n<\/tr>\n
Dona\u00a0eis – Domine ne in furore tuo<\/td>\nAntiphona cum\u00a0psalmus 6<\/i><\/i><\/td>\n<\/tr>\n
Ecce\u00a0lignum<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
Ecce\u00a0quam bonum<\/td>\nGraduale<\/i><\/i><\/td>\n<\/tr>\n
Ecce\u00a0virgo concipiet<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Eructavit\u00a0cor meum<\/td>\nPsalmus\u00a0alleluiaticus 44<\/i><\/i><\/td>\n<\/tr>\n
Et\u00a0valde mane<\/td>\nAntiphona ad\u00a0benedictus<\/i><\/i><\/td>\n<\/tr>\n
Faciamus\u00a0hic<\/td>\nOffertorium<\/i><\/i><\/td>\n<\/tr>\n
Gaudens\u00a0gaudebo<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Gloria<\/td>\n(Orbis factor)<\/i><\/i><\/td>\n<\/tr>\n
Gloria<\/td>\n(More\u00a0ambrosiano)<\/i><\/i><\/td>\n<\/tr>\n
Gloria<\/td>\n(Cum iubilo)<\/i><\/i><\/td>\n<\/tr>\n
Gloriosa<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Hodie\u00a0Christus natus est<\/td>\nAntiphona ad\u00a0Magnificat<\/i><\/i><\/td>\n<\/tr>\n
Hosanna\u00a0filio David – Confitemini Domino<\/td>\nAntiphona cum\u00a0psalmus 117<\/i><\/i><\/td>\n<\/tr>\n
In\u00a0manus tuas Domine<\/td>\nPsalmus\u00a0responsorius 30<\/i><\/i><\/td>\n<\/tr>\n
In\u00a0paradisum<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
In\u00a0splendoribus sanctorum<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
In\u00a0te Domine speravi<\/td>\nPsalmus\u00a0responsorius 70<\/i><\/i><\/td>\n<\/tr>\n
Iubilate\u00a0Deo<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Kyrie<\/td>\n(Orbis factor)<\/i><\/i><\/td>\n<\/tr>\n
Kyrie<\/td>\n(Pater cuncta)<\/i><\/i><\/td>\n<\/tr>\n
Kyrie<\/td>\n(Cum iubilo)<\/i><\/i><\/td>\n<\/tr>\n
Kyrie<\/td>\n(Lux et Origo)<\/i><\/i><\/td>\n<\/tr>\n
Laetatus\u00a0sum<\/td>\nPsalmus\u00a0responsorius 121<\/i><\/i><\/td>\n<\/tr>\n
Laetentur\u00a0caeli – Cantate Domino<\/td>\nAntiphona cum\u00a0psalmus 95<\/i><\/i><\/td>\n<\/tr>\n
Levabo\u00a0oculos meos<\/td>\nOffertorium<\/i><\/i><\/td>\n<\/tr>\n
Lucis\u00a0creator<\/td>\nHymnus<\/i><\/i><\/td>\n<\/tr>\n
Lux\u00a0fulgebit<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Magna\u00a0est gloria<\/td>\nPsalmus\u00a0responsorium 20<\/i><\/i><\/td>\n<\/tr>\n
Magna\u00a0opera Domini – Confitebor tibi Domine<\/td>\nAntiphona cum\u00a0psalmus 110<\/i><\/i><\/td>\n<\/tr>\n
Magnificat<\/td>\nCanticum\u00a0evangelicum<\/i><\/i><\/td>\n<\/tr>\n
Miserere\u00a0nostri Domine<\/td>\nPsalmus\u00a0responsorius 122<\/i><\/i><\/td>\n<\/tr>\n
Narrabo\u00a0omnia mirabilia<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Nigra\u00a0sum – Laetatus sum<\/td>\nAntiphona cum\u00a0psalmus 121<\/i><\/i><\/td>\n<\/tr>\n
Pange\u00a0lingua gloriosi<\/td>\nHymnus<\/i><\/i><\/td>\n<\/tr>\n
Paradisi\u00a0portae – Cantate Domino<\/td>\nAntiphona cum\u00a0psalmus 95<\/i><\/i><\/td>\n<\/tr>\n
Populus\u00a0Sion<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Prosternimus\u00a0preces<\/td>\nCanto\u00a0responsoriale – Liturgia di S. Marco<\/i><\/i><\/td>\n<\/tr>\n
Puer\u00a0natus est nobis<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Pueri\u00a0Haebraeorum – Domini est terra<\/td>\nAntiphona cum\u00a0psalmus 23<\/i><\/i><\/td>\n<\/tr>\n
Pueri\u00a0Haebraeorum – Omnes gentes<\/td>\nAntiphona cum\u00a0psalmus 46<\/i><\/i><\/td>\n<\/tr>\n
Qui\u00a0timet Dominum – Beatus vir <\/span><\/td>\nAntiphona cum\u00a0psalmus 111<\/i><\/i><\/td>\n<\/tr>\n
Reddite\u00a0ergo<\/td>\nAntiphona ad\u00a0Magnificat<\/i><\/i><\/td>\n<\/tr>\n
Regina\u00a0caeli laetare<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
Requiem\u00a0aeternam – Te decet hymnus <\/span><\/td>\nAntiphona cum\u00a0psalmus 64<\/i><\/i><\/td>\n<\/tr>\n
Rorate\u00a0caeli desuper – Caeli enarrant<\/td>\nAntiphona cum\u00a0psalmus 18A<\/i><\/i><\/td>\n<\/tr>\n
Salve\u00a0regina<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
Sanctus<\/td>\n(Orbis factor)<\/i><\/i><\/td>\n<\/tr>\n
Sanctus<\/td>\n(Orbis factor)<\/i><\/i><\/td>\n<\/tr>\n
Scapulis\u00a0suis<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Si\u00a0iniquitates<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Speciosa\u00a0facta es – Nisi Dominus<\/td>\nAntiphona cum\u00a0psalmus 126<\/i><\/i><\/td>\n<\/tr>\n
Tantum\u00a0ergo<\/td>\nAd\u00a0benedictionem SS. Sacramenti<\/i><\/i><\/td>\n<\/tr>\n
Terra\u00a0tremuit – Notus in Iudaea<\/td>\nAntiphona cum\u00a0psalmus 77<\/i><\/i><\/td>\n<\/tr>\n
Tibi\u00a0dixit cor meum<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Tollite\u00a0portas<\/td>\nOffertorium<\/i><\/i><\/td>\n<\/tr>\n
Tu\u00a0es Petrus<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Ubi\u00a0caritas<\/td>\nAntiphona<\/i><\/i><\/td>\n<\/tr>\n
Veni\u00a0de Libano<\/td>\nPsalmus\u00a0responsorius<\/i><\/i><\/td>\n<\/tr>\n
Veni,\u00a0Sancte Spiritus<\/td>\nSequentia<\/i><\/i><\/td>\n<\/tr>\n
Venite\u00a0adoremus – Venite exsultemus<\/td>\nAntiphona cum\u00a0psalmus 94<\/i><\/i><\/td>\n<\/tr>\n
Vexilla\u00a0regis<\/td>\nHymnus<\/i><\/i><\/td>\n<\/tr>\n
Victimae\u00a0paschali laudes<\/td>\nSequentia<\/i><\/i><\/td>\n<\/tr>\n
Victricem\u00a0manum tuam<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
Videns\u00a0Dominus flentes<\/td>\nCommunio<\/i><\/i><\/td>\n<\/tr>\n
Viri\u00a0galilaei<\/td>\nIntroitus<\/i><\/i><\/td>\n<\/tr>\n
<\/a><\/p>\n

Novecento e Contemporanea<\/span><\/h4>\n<\/td>\n<\/tr>\n

Barber,\u00a0Samuel (1910-1981)<\/td>\nAgnus Dei (Adagio op. 11) a 4 v. <\/i><\/td>\n<\/tr>\n
Berlese,\u00a0Carlo (1959)<\/td>\nPetra cantat a 6 v. <\/i><\/td>\n<\/tr>\n
Bettinelli, Bruno (1913)<\/td>\nGi\u00e0 mi trovai di maggio\u00a0 a 4 v. <\/i><\/td>\n<\/tr>\n
Bettinelli, Bruno (1913)<\/td>\nO Jesu dolce\u00a0 a 4 v. <\/i><\/td>\n<\/tr>\n
Bonato,\u00a0Giovanni (1961)<\/td>\nCrux fidelis
\na 8 v. per coro maschile spazializzato<\/i><\/td>\n<\/tr>\n
Britten,\u00a0Benjamin (1913-1976)<\/td>\nA ceremony of carols op. 28
\nper coro femminile e pianoforte <\/i><\/td>\n<\/tr>\n
Britten,\u00a0Benjamin (1913-1976)<\/td>\nA Hymn to the Virgin a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nAgnus Dei dalla Missa Brevis Pro Pace a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nCanci\u00f3n de Navidad a 4 v. per doppio coro e soli<\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nChristus factus est (Cuatro cantos penitenciales) a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nA tu lado a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nGerezi garaia a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nLaudate pueri a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nO magnum mysterium a 8 v.<\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nSanctus dalla Missa Augusta a 4 v. <\/i><\/td>\n<\/tr>\n
Busto,\u00a0Javi (1949)<\/td>\nSegredo a 4 v. <\/i><\/td>\n<\/tr>\n
Caplet, Andr\u00e9 (1878-1925) <\/span><\/td>\nGloria dalla Missa \u00e0 trois voix a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Caplet, Andr\u00e9 (1878-1925) <\/span><\/td>\nSanctus dalla Missa \u00e0 trois voix a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Da Rold, Manolo (1976)<\/td>\nPuer natus est nobis\u00a0a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Dallapiccola, Luigi (1904-1975)<\/td>\nIl coro delle malmaritate a 6 v. <\/i><\/td>\n<\/tr>\n
Debussy, Claude (1862-1918) <\/span><\/td>\nDieu! qu’il la fait bon regarder! (Trois Chansons, I)\u00a0a 4 v. <\/i> <\/span><\/td>\n<\/tr>\n
Debussy, Claude (1862-1918) <\/span><\/td>\nQuant j’ai ouy le tabourin (Trois Chansons, II)\u00a0a 4 v. <\/i> <\/span><\/td>\n<\/tr>\n
Debussy, Claude (1862-1918) <\/span><\/td>\nYver, vous n’estes qu’un villain (Trois Chansons, III)
\n<\/span>a 4 v.<\/i><\/td>\n<\/tr>\n
Durufl\u00e9, Maurice (1902-1986) <\/span><\/td>\nNotre P\u00e8re a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Durufl\u00e9,\u00a0Maurice (1902-1986)<\/td>\nTantum ergo a 4 v. <\/i><\/td>\n<\/tr>\n
Durufl\u00e9,\u00a0Maurice (1902-1986)<\/td>\nTota pulchra es Maria a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Durufl\u00e9, Maurice (1902-1986) <\/span><\/td>\nTu es Petrus a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Durufl\u00e9,\u00a0Maurice (1902-1986)<\/td>\nUbi caritas a 5 v. <\/i><\/td>\n<\/tr>\n
Elberdin,\u00a0Josu (1976)<\/td>\nCantate Domino a 6 v<\/em>.<\/span><\/td>\n<\/tr>\n
Fulgoni,\u00a0Mario (1949)<\/td>\nBrume (Cinq Chansons, I) a 6 v.<\/em><\/span><\/td>\n<\/tr>\n
Fulgoni,\u00a0Mario (1949)<\/td>\nLe chat de Scarlatine a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Fulgoni,\u00a0Mario (1949)<\/td>\nPater noster a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Herzog,\u00a0Franz M. (1962)<\/td>\nLux aeterna a 8 v.<\/em><\/td>\n<\/tr>\n
Hindemith, Paul (1895-1963) <\/span><\/td>\n\u00a0Un Cygne (Six Chansons, II) a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Hindemith, Paul (1895-1963) <\/span><\/td>\nVerger (Six Chansons, VI) a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Jaeggi, Oswald (1910-1963) <\/span><\/td>\nSalve Mater\u00a0 a 4\u00a0v. <\/i><\/span><\/td>\n<\/tr>\n
Jennefelt, Thomas (1954) <\/span><\/td>\nVillarosa sarialdi\u00a0a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Joel, Billy (1966)
\nelab.\u00a0<\/span><\/span>B.Chilcott (1955) <\/span><\/td>\n		And so it goes\u00a0 <\/i><\/span><\/td>\n<\/tr>\n
Kedrov, Nikolaj (1871-1940) <\/span><\/td>\nOtce nash a 4 v.
\n<\/i><\/span><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nAdventi \u00e9nek a 3 v. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nAve Maria a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nChi d’amor sente a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nFior scoloriti a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nFuor della bella caiba a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nIte, missa est a 4 v. <\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nNotti di montagna a 3 v. femm.<\/i><\/td>\n<\/tr>\n
Kod\u00e0ly,\u00a0Zolt\u00e0n (1882-1967)<\/td>\nStabat mater a 4 v. <\/i><\/td>\n<\/tr>\n
Merk\u00f9, Pavle (1927)<\/td>\nEst una notte ‘e luna\u00a0a 8 v. <\/i><\/td>\n<\/tr>\n
Mi\u0161kinis, Vytautas (1954)<\/td>\nAve Regina coelorum a 6 v. masch.<\/em><\/td>\n<\/tr>\n
Montani, Pietro (1895-1967)<\/td>\nE lasciatemi divertire! a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Nees, Vic (1936)<\/td>\nTollite portas\u00a0a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Nystedt, Knut (1915)<\/td>\nImmortal Bach<\/td>\n<\/tr>\n
Orff,\u00a0Carl (1895-1982)<\/td>\nOdi et amo a 4 v. <\/i><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935)<\/td>\nMagnificat a 7 v. <\/i><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935)<\/td>\nO Adonai
\n(Sieben Magnificat Antiphonen, II) a 4 v. masch. <\/i><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935)<\/td>\nO Immanuel
\n(Sieben Magnificat Antiphonen, VII) a 8 v. <\/i><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935) <\/span><\/td>\nO\u00a0K\u00f6nig aller V\u00f6lker
\n(Sieben Magnificat Antiphonen, VI) a 6 v. <\/i> <\/span><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935) <\/span><\/td>\nO\u00a0Morgenstern
\n(Sieben Magnificat Antiphonen, V) a 6 v. <\/i><\/span><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935) <\/span><\/td>\nO\u00a0Schl\u00fcssel Davids
\n(Sieben Magnificat Antiphonen, IV) a 8 v. <\/i> <\/span><\/td>\n<\/tr>\n
P\u00e4rt, Arvo (1935)<\/td>\nThe woman with the alabaster box\u00a0a 8 v. <\/i><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935) <\/span><\/td>\nO\u00a0Spro\u00df aus Isaias Wurzel
\n(Sieben Magnificat Antiphonen, III) a 4 v.\u00a0femm. <\/i><\/span><\/td>\n<\/tr>\n
P\u00e4rt,\u00a0Arvo (1935) <\/span><\/td>\nO\u00a0Weisheit (Sieben Magnificat Antiphonen, I) a 8 v. <\/i><\/span><\/td>\n<\/tr>\n
Pizzetti, Ildebrando (1880-1968)<\/td>\nCade la sera a 5 v. <\/i><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nAve verum Corpus a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nC\u2019est la petit\u2019 fill\u2019 du prince
\n(Chansons fran\u00e7aises, V) a 5 v. <\/em><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nClic, clac, dansez sabots
\n(Chansons fran\u00e7aises, IV) a 4 v. maschili<\/em><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nEn rentrant de l\u2019ecole
\n(5 Choeurs faciles pour 3 voix d’enfants, III)
\n[Madeleine Ley] a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nLa petite fille sage
\n(5 Choeurs faciles pour 3 voix d’enfants, I)
\n[Madeleine Ley] a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nLe chien perdu
\n(5 Choeurs faciles pour 3 voix d’enfants, II)
\n[Madeleine\u00a0Ley] a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nLe herisson
\n(5 Choeurs faciles pour 3 voix d’enfants, V)
\n[Madeleine Ley]\u00a0a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nLe petit garcon malade
\n(5 Choeurs faciles pour 3 voix d’enfants, IV)
\n[Madeleine Ley] a 3 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nO\u00a0mes tr\u00e8s chers fr\u00e8res
\n(Quatre petites pri\u00e8res de Saint Fran\u00e7ois\u00a0d\u2019Assise, IV)
\na 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nQuem vidistis Pastores dicite a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963) <\/span><\/td>\nSalut, Dame sainte (Quatre petites pri\u00e8res de Saint Fran\u00e7ois d\u2019Assise,\u00a0I) a 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nSalve Regina a 4 v. <\/i><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nSeigneur, je vous en prie (Quatre petites pri\u00e8res de Saint Fran\u00e7ois
\nd\u2019Assise, III) a 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nTout pouissant (Quatre petites pri\u00e8res de Saint Fran\u00e7ois d\u2019Assise, II)
\na 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Poulenc, Francis (1899-1963)<\/td>\nVinea mea electa a 6 v. <\/i><\/td>\n<\/tr>\n
Rachmaninov, Sergej Vasil’evic
\n(1873-1943)<\/td>\n		Bogoroditse devo dal Vespro op. 37 a 8 v. <\/i><\/td>\n<\/tr>\n
Ravel,\u00a0Maurice (1875-1937)<\/td>\nNicolette (Trois Chansons, I) a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Ravel,\u00a0Maurice (1875-1937)<\/td>\nRonde\u00a0 (Trois Chansons, III) a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Ravel,\u00a0Maurice (1875-1937)<\/td>\nTrois beaux oiseaux du paradis\u00a0 (Trois Chansons, II) a 4 v. <\/i> <\/span><\/td>\n<\/tr>\n
Resch,\u00a0Felix (1957)<\/td>\nHorizontale Verschiebungen [W. Goethe] a 12 v. <\/span><\/td>\n<\/tr>\n
Resch,\u00a0Felix (1957)<\/td>\nMAN ist gefordert per coro, launeddas, ocarina, flauto e percussioni<\/em><\/td>\n<\/tr>\n
Resch,\u00a0Felix (1957)<\/td>\nKrahmoos II [N.C. Kaser] a 7 v. <\/em><\/span><\/td>\n<\/tr>\n
Resch,\u00a0Felix (1957)<\/td>\nSgelo [S. Satta]\u00a0a 8 v. <\/i><\/td>\n<\/tr>\n
Resch,\u00a0Felix (1957)<\/td>\nWachsamkeit a 8 v. <\/em><\/span><\/td>\n<\/tr>\n
Sametz, Steven (1954)<\/td>\nNoel a 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Sandstr\u00f6m, Jan (1954)<\/td>\nEs ist ein’ Ros’ entsprungen a 12 v. per doppio coro <\/i><\/span><\/td>\n<\/tr>\n
Sisask,\u00a0Urmas (1960)<\/td>\nOremus a 4 v. <\/i><\/td>\n<\/tr>\n
Suzzani, Mariano (1949)<\/td>\nGloria dalla Missa septimi toni a 4 v. <\/i><\/td>\n<\/tr>\n
Taverner, John (1944-2013)<\/td>\nThe Lamb a 4 v. <\/i><\/td>\n<\/tr>\n
Thompson, Randall (1899-1984)<\/td>\nAlleluia a 4 v. <\/i><\/td>\n<\/tr>\n
Whitacre, Eric (1970)<\/td>\nLux aurumque a 8 v. <\/em><\/span><\/td>\n<\/tr>\n
Whitacre, Eric (1970)<\/td>\nSleep\u00a0a 8 v. <\/i><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nAve Maria a 3 v. masch.<\/em><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nEcce vidimus Eum a 8 v.<\/em><\/span><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nFemme et chatte a 4 v. femm. <\/i><\/span><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nLe chat a 3 v. masch. <\/i><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nRequiem, in tempore belli per coro, pianoforte e percussioni (due esecutori) <\/i><\/td>\n<\/tr>\n
Zuccante, Mauro (1962)<\/td>\nSoir a 4 v. masch. <\/i><\/td>\n<\/tr>\n
<\/a><\/p>\n

Medievale<\/span><\/h4>\n<\/td>\n<\/tr>\n

Anonimo
\n(XIII sec.)<\/td>\n		Verbum Patris hodie<\/td>\n<\/tr>\n
Anonimo
\n(XIV sec.)<\/td>\n		Alle psallite<\/td>\n<\/tr>\n
Dal\u00a0Codex Las Huelgas di Burgos
\n(XIV sec.)<\/td>\n		Benedicamus Domino<\/td>\n<\/tr>\n
Dal\u00a0Codex Las Huelgas di Burgos
\n(XIV sec.)<\/td>\n		Mater Patris et Filia<\/td>\n<\/tr>\n
Dal\u00a0Codex Las Huelgas di Burgos
\n(XIV sec.)<\/td>\n		Salve sancta parens<\/td>\n<\/tr>\n
Dal\u00a0Codex Las Huelgas di Burgos
\n(XIV sec.)<\/td>\n		Victimae pascali laudes<\/td>\n<\/tr>\n
Dal\u00a0Codice dell’Abbazia di Reading
\n(XIII sec.)<\/td>\n		Sumer is icumen in<\/td>\n<\/tr>\n
Dal\u00a0Codice di Parigi
\n(1530)<\/td>\n		Psallite<\/td>\n<\/tr>\n
dal Discanto di Milano
\n(XI sec.)<\/span><\/td>\n		Cunctipotens Genitor Deus<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Cristo \u00e8 nato<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Dal ciel venne messo novello<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Gloria in cielo<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Il Signore scese tra noi<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Stella nuova<\/td>\n<\/tr>\n
Dal\u00a0Laudario di Cortona
\n(XIII sec.)<\/td>\n		Venite a laudare<\/td>\n<\/tr>\n
Dal\u00a0Libre Vermell di Montserrat
\n(XIV sec.)<\/td>\n		Ad mortem festinamus<\/td>\n<\/tr>\n
Dal\u00a0Libre Vermell di Montserrat
\n(XIV sec.)<\/td>\n		Stella splendens<\/td>\n<\/tr>\n
Dalle\u00a0Piae Cantiones<\/td>\nAngelus ad Virginem<\/td>\n<\/tr>\n
Dalle\u00a0Piae Cantiones<\/td>\nGaudete!<\/td>\n<\/tr>\n
Dalle\u00a0Piae Cantiones<\/td>\nJucundare jugiter<\/td>\n<\/tr>\n
Von\u00a0Bingen, Hildegard
\n(1098-1179)<\/td>\n		De Sancta Maria<\/td>\n<\/tr>\n
\n

<\/h4>\n

<\/a>Canto popolare sardo<\/span><\/h4>\n<\/td>\n<\/tr>\n

Allori, Pietro (1925-1985)<\/td>\nNinna Nanna pro Antoni Istene<\/td>\n<\/tr>\n
Ghedini,\u00a0Giorgio Federico (1892-1965)<\/td>\nDormi, filla cara<\/td>\n<\/tr>\n
Oppo,\u00a0Franco (1935)<\/td>\nNinna nanna campidanese<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nAdios Nugoro amada<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nAve Maria algherese<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nCunservet Deus su\u00a0Re \u00a0 <\/span><\/td>\n<\/tr>\n
Popolare sardo<\/td>\nDeus ti salvet Maria<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nLa brunedda<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nNinnia<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nNon mi giamedas Maria<\/td>\n<\/tr>\n
Popolare sardo<\/td>\nSu perdonu<\/td>\n<\/tr>\n
Porrino,\u00a0Ennio (1910-1959)<\/td>\nDanza di Desulo<\/td>\n<\/tr>\n
Puddu,\u00a0Tonino (1951)<\/td>\nNanneddu meu<\/td>\n<\/tr>\n
Puddu,\u00a0Tonino (1951)<\/td>\nNon potho reposare<\/td>\n<\/tr>\n
Puddu,\u00a0Tonino (1951)<\/td>\nSu bolu \u2018e s\u2019astore
\n<\/span><\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nCeleste tesoro<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nDisispirata gallurese<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nDuru duru<\/span><\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nDuru duru a ballo<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nMotetto di Gallura<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nMutu di Orgosolo<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nRosario di Gesturi<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nRosario di Ghilarza<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nRosario di Orgosolo<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nRosario di Meana Sardo<\/td>\n<\/tr>\n
Sanna,\u00a0Antonio (1932)<\/td>\nTre danze sarde<\/td>\n<\/tr>\n
Zandonai, Riccardo (1883-1944)<\/td>\nCanto di Barbagia<\/td>\n<\/tr>\n
Zandonai, Riccardo (1883-1944)<\/td>\nMuttos a sa donna amada<\/td>\n<\/tr>\n
<\/a><\/p>\n

Rinascimento e Barocco<\/span><\/h4>\n<\/td>\n<\/tr>\n

Aichinger, Gregor (1565-1528)<\/td>\nRegina coeli a 4 v. <\/i><\/td>\n<\/tr>\n
Allegri, Gregorio (1582-1652)<\/td>\nMiserere mei, Deus a 6 v. <\/i><\/td>\n<\/tr>\n
Anerio,\u00a0Felice (1560-1614)<\/td>\nI lieti amanti e le fanciulle tenere a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Anonimo<\/td>\nDindirin a 4 v. <\/i><\/td>\n<\/tr>\n
Anonimo<\/td>\nLieb Nachtigall, wach auf
\na 3 v. femm.<\/i> (dal “Bamberger Gesangbuch”<\/i>, 1670)<\/td>\n<\/tr>\n
Arcadelt, Jacob (1514-1557)<\/td>\nIl bianco e dolce cigno a 4 v. <\/i><\/td>\n<\/tr>\n
Arcadelt, Jacob (1514-1557)<\/td>\nTempo verr’ancor forse a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Attaignant, Pierre, 1530 <\/span><\/td>\nTourdion a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Azzaiolo, Filippo (XVI sec.)<\/td>\nAl d\u00ec, dolce ben mio a 4 v. <\/i><\/td>\n<\/tr>\n
Azzaiolo, Filippo (XVI sec.)<\/td>\nL’amanza mia a 4 v. <\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Ludwig (1677-1731) <\/span><\/td>\nDas ist meine Freude a 8 v. per doppio coro <\/i><\/span><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nCantata BWV 118 O Jesu Christ, mein’s Lebens Licht
\nper soli, coro e\u00a0orchestra <\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nCantata BWV 4 Christ lag in Todes Banden
\nper soli, coro e orchestra
\n<\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 225 Singet dem Herrn ein neues Lied
\na 8 v. per doppio\u00a0coro e b.c. <\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 226 Der Geist hilft unser Schwachheit auf a 8 v. per
\ndoppio coro e b.c. <\/i><\/span><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 227 Jesu, meine Freude a 5 v. e b.c. <\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 228 F\u00fcrchte dich nicht, ich bin bei dir
\na 8 v. per doppio\u00a0coro e b.c. <\/i><\/span><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 229 Komm, Jesu, komm a 8 v. per doppio coro e b.c. <\/i><\/td>\n<\/tr>\n
Bach,\u00a0Johann Sebastian (1685-1750)<\/td>\nMotetto BWV 230 Lobet den Herrn, alle Heiden a 4 v. e b.c. <\/i> <\/span><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nCapricciata a tre\u00a0voci
\n(Festino nella sera del Gioved\u00ec grasso avanti cena, XI) a 4 v.
\n<\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nContraponto bestiale\u00a0alla mente <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, XII) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGioco del Conte
\n<\/i>(Festino\u00a0nella sera del Gioved\u00ec grasso avanti cena, XVI) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGli Amanti cantano un\u00a0Madrigale <\/i>
\n(Festino nella sera del Gioved\u00ec grasso avanti cena, VIII) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGli Amanti Morescano
\n<\/i>(Festino\u00a0nella sera del Gioved\u00ec grasso avanti cena, VII) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGli cervellini\u00a0cantano un Madrigale <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, XIII) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGli Festinanti
\n<\/i>(Festino nella\u00a0sera del Gioved\u00ec grasso avanti cena, XVII) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nGli Fusari cantano un\u00a0Madrigale <\/i>
\n(Festino nella sera del Gioved\u00ec grasso avanti cena, XV) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nIl Diletto moderno\u00a0licenza, et di novo invita <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, XX) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nIl Diletto moderno\u00a0per introduzzione <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, I) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nIntermedio di\u00a0venditori gli fusi <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, XIV) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nJustiniana di\u00a0Vecchietti Chiozzotti <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, II) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nLa zia Bernardina\u00a0racconta una Novella <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, X) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nLi Amanti cantano una\u00a0Canzonetta <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, IX) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nMadrigale a un dolce\u00a0usignolo <\/i>
\n(Festino nella sera del Gioved\u00ec grasso avanti cena, V) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nMascherata d’Amanti
\n<\/i>(Festino\u00a0nella sera del Gioved\u00ec grasso avanti cena, VI) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nMascherata di\u00a0Villanelle <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, III) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nSeguita la detta\u00a0Mascherata <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, IV) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nSproposito di Goffi\u00a0(per\u00f2 di gusto) <\/i>
\n(Festino nella sera\u00a0del Gioved\u00ec grasso avanti cena, XIX) a 4 v. <\/i><\/td>\n<\/tr>\n
Banchieri, Adriano (1567-1634)<\/td>\nVinata di brindesi, e\u00a0ragioni <\/i>
\n(Festino nella sera del Gioved\u00ec grasso avanti cena, XVIII) a 4 v. <\/i><\/td>\n<\/tr>\n
Byrd,\u00a0William (ca.1543-1623)<\/td>\nAve verum Corpus a 4 v. <\/i><\/td>\n<\/tr>\n
Charpentier, Marc-Antoine
\n(ca. 1634-1704)<\/td>\n		Messe de Minuit pour No\u00ebl per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Charpentier, Marc-Antoine
\n(ca. 1634-1704)<\/td>\n		Te Deum per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Corteccia, Francesco (1502-1571)<\/td>\nEcce vidimus eum a 4 v. <\/i><\/td>\n<\/tr>\n
Corteccia, Francesco (1502-1571)<\/td>\nEram quasi agnus a 4 v. <\/i><\/td>\n<\/tr>\n
Corteccia, Francesco (1502-1571)<\/td>\nLe vecchie per invidia a 4 v. <\/i><\/td>\n<\/tr>\n
Costeley, Guillame (ca.1530-1606)<\/td>\n
\nAllons au vert boccage a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Costeley, Guillame (ca.1530-1606)<\/td>\n
\nDessoubz le may a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Costeley, Guillame (ca.1530-1606)<\/td>\n
\nJe veux aymer ardantement a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Costeley, Guillame (ca.1530-1606)<\/td>\n
\nMignonne, allons voir si la roze a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Croce,\u00a0Giovanni (1557-1609)<\/td>\nLaudans exultet gaudio a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Croce,\u00a0Giovanni (1557-1609)<\/td>\nMentre la bella Dafne a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Croce,\u00a0Giovanni (1557-1609)<\/td>\nVoi bramate, ben mio a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Da\u00a0Nola, Giovanni Domenico
\n(ca. 1517-1592)<\/td>\n		Tre ciechi siamo a 3 v. pari <\/i><\/td>\n<\/tr>\n
Da\u00a0Venosa, Carlo Gesualdo
\n(1560-1613)<\/td>\n		Io tacer\u00f2; ma nel silenzio mio\u2026 a 5 v. <\/i><\/td>\n<\/tr>\n
De\u00a0Brito, Estevao
\n(ca. 1575-1641)<\/span><\/td>\n		Victimae Paschali laudes a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
De\u00a0Rore, Cipriano (1526-1565)<\/td>\nAncor che col partire a 4 v. <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		Ave Maria a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		Beatus vir a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		Domine non sum dignus a 4 v. femm. <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		Ecce nunc benedicite Dominum
\na 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		O magnum mysterium a 4 v. <\/i><\/td>\n<\/tr>\n
De\u00a0Victoria, Tomas Luis
\n(ca.1548-1611) <\/span><\/td>\n		Tenebrae factae sunt a 4 v. <\/i><\/td>\n<\/tr>\n
Del\u00a0Encina, Juan (1468-1529)<\/td>\nM\u00e1s vale trocar\u00a0 a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nBasiez moi a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nEl grillo \u00e8 un buon cantore a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nFaute d’argent a 5 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nIn te Domine speravi a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nLa d\u00e9ploration de Johan Okeghem a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nMille regrets a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nNunc dimittis servum tuum, Domine a 4 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nParfons regretz a 5 v. <\/i><\/td>\n<\/tr>\n
Des\u00a0Prez, Josquin (ca. 1440 – 1521)<\/td>\nPetite camusette a 6 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nAdoramus te, Christe a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nAmicus meus a 4 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nBon jour, mon coeur a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nDomine Deus a 2 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nJustorum animae a 5 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nL’eco a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nLevabo oculos a 4 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nMatona mia cara a 4 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nMon coeur se recommande a vous a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nOve sei, vita mia a 5 v. <\/i><\/td>\n<\/tr>\n
Di\u00a0Lasso, Orlando (ca.1532-1594)<\/td>\nUn jour vis un foulon a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Donato,\u00a0Baldassarre (ca. 1530-1603)<\/td>\nChi la Gagliarda, donne, vo\u2019 imparare a 4 v. <\/i><\/td>\n<\/tr>\n
Dowland, John (1562-1626)<\/td>\nCome again a 4 v. <\/i><\/td>\n<\/tr>\n
Durante, Francesco (1684-1755)<\/td>\nMagnificat per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Festa,\u00a0Costanzo (14..-1545)<\/td>\nMadonna, io v’amo e taccio a 3 v. femm. <\/i><\/td>\n<\/tr>\n
Gabrieli, Andrea (ca.1510-1586)<\/td>\nForestier inamorao a 3 v. <\/i><\/td>\n<\/tr>\n
Gabrieli, Andrea (ca.1510-1586)<\/td>\nMaria Magdalene a 4 v. <\/i><\/td>\n<\/tr>\n
Gabrieli, Andrea (ca.1510-1586)<\/td>\nMissa Brevis a 4 v. <\/i><\/td>\n<\/tr>\n
Gabrieli, Giovanni (ca.1557-1612)<\/td>\nBeata es Virgo Maria a sei v. <\/i><\/td>\n<\/tr>\n
Gabrieli, Giovanni (ca.1557-1612)<\/td>\nCantate Domino a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Gabrieli, Giovanni (ca.1557-1612)<\/td>\nJubilate deo a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684)<\/td>\nA la flor abejuelas a 4 v. e b.c. <\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684)<\/td>\nBuela, buela feliz mariposa a 3 v. e b.c. <\/i><\/td>\n<\/tr>\n
Gal\u00e1n,\u00a0Crist\u00f3bal (ca. 1620-1684)<\/td>\nFenix que en llamas de amor a 4 v. e b.c. <\/i><\/span><\/td>\n<\/tr>\n
Gallus,\u00a0Jacobus (1550-1591)<\/td>\nHaec est dies a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Gallus,\u00a0Jacobus (1550-1591)<\/td>\nHeroes, pugnate a 4 v. <\/i><\/td>\n<\/tr>\n
Gallus,\u00a0Jacobus (1550-1591)<\/td>\nNatus est nobis a 4 v. masch. <\/i><\/span><\/td>\n<\/tr>\n
Gallus,\u00a0Jacobus (1550-1591)<\/td>\nPassio secundum Ioannem a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Gallus,\u00a0Jacobus (1550-1591)<\/td>\nResonet in laudibus a 4 v. <\/i><\/td>\n<\/tr>\n
Gastoldi, Giovanni Giacomo
\n(ca.1550-1622)<\/td>\n		Amor vittorioso a 5 v. <\/i><\/td>\n<\/tr>\n
Gastoldi, Giovanni Giacomo
\n(ca.1550-1622)<\/td>\n		Il bell’umore a 5 v. <\/i><\/td>\n<\/tr>\n
Grancini, Michelangelo (1605-1668)<\/td>\nO bone Jesu a 3 v. <\/i><\/td>\n<\/tr>\n
Hassler, Hans Leo (1564-1612)<\/td>\nDixit Maria a 4 v. <\/i><\/td>\n<\/tr>\n
Hassler, Hans Leo (1564-1612)<\/td>\nTanzen und springen a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Ingegneri, Marco Antonio
\n(ca.1547-1592)<\/td>\n		Lamentationes Jeraemiae Prophetae a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Ingegneri, Marco Antonio
\n(ca.1547-1592)<\/td>\n		Omnes amici mei a 4 v. <\/i><\/td>\n<\/tr>\n
Ingegneri, Marco Antonio
\n(ca.1547-1592)<\/td>\n
\nTristis est anima mea a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Ingegneri, Marco Antonio
\n(ca.1547-1592)<\/td>\n		Vinea mea a 4 v. <\/i><\/td>\n<\/tr>\n
Janequin, Clement (ca.1485-1558)<\/td>\nAu verd boys a 4 v. <\/i><\/td>\n<\/tr>\n
Janequin, Clement (ca.1485-1558)<\/td>\nCe Moys de May a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Janequin, Clement (ca.1485-1558)<\/td>\nLe chant des oyseaux\u00a0 a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Le Roy,\u00a0Adrian (ca.1520 – 1598)<\/td>\nSi j\u2019aime ou non je n\u2019en dy rien a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Lotti,\u00a0Antonio (1666 1740)<\/td>\nCrucifixus a 8 v. <\/i><\/td>\n<\/tr>\n
Lotti,\u00a0Antonio (1666 1740)<\/td>\nVere languores a 3 v. masch.<\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nAd una fresca riva a 3 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nAl primo vostro sguardo a 3 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nAmor \u00e8 ritornato a 3 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nDegli occhi il dolce giro a 3 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nI lieti amanti e le fanciulle tenere a 4 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nLa bella ninfa mia [Molza] a 5 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nMa per me, lasso, tornano i pi\u00f9 gravi a 4 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nO voi che sospirate [Petrarca] a 5 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nOcchi dolci e soavi a 3 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nPiango, che amor a 4 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nSe ‘l raggio de’ vostr’occhi a 4 v. <\/i><\/td>\n<\/tr>\n
Marenzio, Luca (1553-1599)<\/td>\nZefiro torna, e ‘l bel tempo rimena a 4 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nA che tormi il ben mio a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nAdoramus a 6 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nBaci soavi e cari [Guarini] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nBeatus Vir Primo a 6 v. concertato con 2 violini e 3 viole <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nCantate Domino a 6 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nChe dar pi\u00f9 vi poss’io a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nCh’io ami la mia vita a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nChriste, adoramus te a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nCome dolce hoggi l’auretta spira\u00a0 a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nConfitebor Secondo a 3 v. concertato con due violini <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nConfitebor Terzo alla francese a 5 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nConfitebor tibi Domine a 4 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nDixit Secondo a 8 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nDolcemente dormiva la mia Clori [Tasso] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nDolcissimo usignolo a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nDomine ne in furore tuo a sei v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nEcco mormorar l’onde [Tasso] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nFumia la pastorella a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nIl mio martir tengo a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nIntorno a due vermiglie e vaghe labbra a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nIo mi son giovinetta [Boccaccio] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nIo son pur vezzosetta pastorella a 2 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLaetaniae della Beata Vergine a 6 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLasciatemi morire a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLauda Jerusalem a 5 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLaudate Dominum Secondo a 8 v. e 2 violini <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLaudate Dominum Terzo a 8 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nLaudate pueri a 5 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nMagnificat Secondo a 4 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nNisi Dominus a 6 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nNon giacinti o narcisi [Casoni] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nO come \u00e8 gran martire [Guarini] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nQuel augellin che canta si dolcemente [Guarini] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nRaggi, dov’\u00e8 il mio bene? a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSalve Regina a 2 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nS’andasse amor a caccia [Tasso] a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSestina – Lagrime d’amante al sepolcro dell\u2019amata\u00a0 a 5 v. e b.c. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSi ch’io vorrei morire a 5 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSi come crescon alla terra i fiori a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSon questi i crespi crini? a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nSu su, su pastorelli vezzosi a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nTu ridi sempre mai a 3 v. <\/i><\/td>\n<\/tr>\n
Monteverdi, Claudio (1567-1643)<\/td>\nTutte le bocche belle in questo nero volto [Alberti] a 5 v. <\/i><\/td>\n<\/tr>\n
Morales, Cristobal (ca. 1500-1553)<\/td>\nIn die tribulazionis a 3 v. <\/i><\/td>\n<\/tr>\n
Morales, Cristobal (ca. 1500-1553)<\/td>\nMissus est Gabriel a 4 v. masch.<\/em><\/span><\/td>\n<\/tr>\n
Morales, Cristobal (ca. 1500-1553)<\/td>\nRegina coeli a 4 v. <\/i><\/td>\n<\/tr>\n
Morley,\u00a0Thomas (1557-1602)<\/td>\nCruel, you pull\u00a0away too soon a 3 v. <\/i><\/span><\/td>\n<\/tr>\n
Morley,\u00a0Thomas (1557-1602)<\/td>\nNow is the month of\u00a0Maying a 5 v. <\/i><\/span><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Ah, che quest’occhi miei a 3 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Alma Redemptoris Mater a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Ave Maria a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Ave Regina coelorum a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Beata es Virgo Maria – Ave Maria a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Da cos\u00ec dotta man a 3 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Descendi in hortum meum a 5 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Hodie Christus natus est a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Jesu! Rex admirabilis a 3 v. <\/i><\/span><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Jubilate Deo a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		La cruda mia nemica a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Missa Brevis a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Missa: Jam Christus astra ascenderat a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		O bone Jesu a 6 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		O bone Jesu a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Popule meus a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Pueri Hebraeorum a 4 v. pari <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Quae est ista a 5 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Salve Regina a 4 v. femm. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Sicut cervus – Sitivit anima mea a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Stabat mater dolorosa a 8 v. per doppio coro <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Super flumina Babylonis a 4 v. <\/i><\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da
\n(ca. 1525-1594)<\/td>\n		Vestiva i colli e le campagne intorno a 5 v. <\/i><\/td>\n<\/tr>\n
Pergolesi, Giovanni Battista
\n(1710 – 1736)<\/td>\n		Confitebor tibi Domine per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Pergolesi, Giovanni Battista
\n(1710 – 1736)<\/td>\n		Domine ad adjuvandum me festina\u00a0per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Pergolesi, Giovanni Battista
\n(1710 – 1736)<\/td>\n		O sacrum convivium a 4 v. <\/i><\/td>\n<\/tr>\n
Praetorius, Michael (1571-1621)<\/td>\nEn natus est Emmanuel a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Praetorius, Michael (1571-1621)<\/td>\nEs ist ein Ros entsprungen a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Praetorius, Michael (1571-1621)<\/td>\nIn dulci jubilo a 4 v. <\/i><\/td>\n<\/tr>\n
Praetorius, Michael (1571-1621)<\/td>\nPsallite\u00a0 a 4 v. <\/i><\/td>\n<\/tr>\n
Praetorius, Michael (1571-1621)<\/td>\nPuer natus a 4 v. <\/i><\/td>\n<\/tr>\n
Purcell, Henry (1659-1695)<\/td>\nHear my prayer, o\u00a0Lord a 8 v.<\/em><\/span><\/td>\n<\/tr>\n
Purcell, Henry (1659-1695)<\/td>\nIf music be the\u00a0food of love a 6 v.<\/em><\/span><\/td>\n<\/tr>\n
Scarlatti, Alessandro (1660-1725)<\/td>\nAd te Domine levavi animam meam a 4 v. <\/i><\/td>\n<\/tr>\n
Scarlatti, Alessandro (1660-1725)<\/td>\nExaltabo Te, Domine a 4 v. <\/i><\/td>\n<\/tr>\n
Scarlatti, Alessandro (1660-1725)<\/td>\nUnam petii a Domine a 4 v. <\/i><\/td>\n<\/tr>\n
Sch\u00fctz,\u00a0Heinrich (1585-1672)<\/td>\nCantate Domino a 4 v. <\/i><\/td>\n<\/tr>\n
Sch\u00fctz,\u00a0Heinrich (1585-1672)<\/td>\nHerr, auf dich traue ich a 6 v. <\/em><\/span><\/td>\n<\/tr>\n
Sch\u00fctz,\u00a0Heinrich (1585-1672)<\/td>\nTurbabor, sed non perturbabor a 4 v. <\/i><\/td>\n<\/tr>\n
Sermisy, Claudin de (ca.1490 -1562)<\/td>\nAu joly boys a 4\u00a0v. <\/i><\/span><\/td>\n<\/tr>\n
Sermisy, Claudin de (ca.1490 -1562)<\/td>\nEn entrant en ung jardin a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Sermisy, Claudin de (ca.1490 -1562)<\/td>\nLanguir me fais a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Sermisy, Claudin de (ca.1490 -1562)<\/td>\nTant que vivrai a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tabourot, Jean (1520-1595)<\/td>\nBelle, qui tiens ma vie a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tabourot, Jean (1520-1595)<\/td>\nDing! Dong! Merrily\u00a0on high a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tallis,\u00a0Thomas (1510-1585)<\/td>\nIf ye love me a 4\u00a0v. masch.<\/em><\/span><\/td>\n<\/tr>\n
Tromboncino, Bartolomeo
\n(ca. 1470-1535)<\/td>\n		Se ben or a 4 v. <\/i><\/td>\n<\/tr>\n
Tye,\u00a0Christopher (ca.1505-1571)<\/td>\nLaudate nomen Domini a 4 v. <\/i><\/td>\n<\/tr>\n
Verdelot, Filippo (1510-1565)<\/td>\nOgnor per voi sospiro a 4 v. <\/i><\/td>\n<\/tr>\n
Viadana, Ludovico da (1564-1627)<\/td>\nExultate justi a 4 v. <\/i><\/td>\n<\/tr>\n
Viadana, Ludovico da (1564-1627)<\/td>\nO sacrum convivium a 4 v. masch. <\/i><\/td>\n<\/tr>\n
Vivaldi, Antonio (1678-1741)<\/td>\nBeatus Vir RV 597 per soli, doppio coro e doppia orchestra <\/i><\/td>\n<\/tr>\n
Vivaldi, Antonio (1678-1741)<\/td>\nGloria in re maggiore RV 589 per soli, coro e orchestra <\/i><\/td>\n<\/tr>\n
Vodnansky, Jan Campanus
\n(1572-1622)<\/td>\n		Rorando coeli\u00a0a 8 v. <\/i><\/td>\n<\/tr>\n
Willaert, Adrian (ca.1490-1562)<\/td>\nIo amai sempre – Ma chi pens\u00f2 veder a 4 v. <\/i><\/td>\n<\/tr>\n
Willaert, Adrian (ca.1490-1562)<\/td>\nO bene mio\u00a0 a 4 v. <\/i><\/td>\n<\/tr>\n
<\/a><\/p>\n

Tradizionale<\/span><\/h4>\n<\/td>\n<\/tr>\n

Tradizionale Catalogna
\nelab. Ernest Cervera i Astor<\/td>\n		El Noi de la Mare a 4 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Finlandia
\nelab. P.J. Hannikainen<\/td>\n		Joulun kellot a 5 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Francia
\nelab. Adolf Lohmann<\/td>\n		Les anges dans nos campagnes a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Francia
\nelab. Kurt Suttner<\/td>\n		Il est n\u00e9 le divin Enfant a 6 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Francia
\nelab. Roberto Goitre<\/td>\n		N\u00f6el des Pyren\u00e8es a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Galles<\/td>\nDeck the hall a 4\u00a0v. <\/em><\/span><\/td>\n<\/tr>\n
Tradizionale Inghilterra <\/span><\/td>\nWe wish you a merry\u00a0christmas a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Inghilterra
\nelab. Henry J. Gauntlett<\/td>\n		Once in royal\u00a0David\u2019s city a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Inghilterra
\nelab. John Steiner<\/td>\n		God rest you merry,\u00a0gentlemen a 4 v. <\/i><\/span><\/td>\n<\/tr>\n
Tradizionale Inghilterra
\nelab. Eva Toller<\/td>\n		Greensleeves a 4 v.\u00a0masch.<\/em><\/span><\/td>\n<\/tr>\n
Tradizionale Inghilterra
\nelab. Eva Toller<\/td>\n		Scarborough fair a\u00a04 v. masch.<\/em><\/span><\/td>\n<\/tr>\n
Tradizionale Irlanda
\nelab. Alan Cutts<\/td>\n		A Na\u00ec Naoimh’ a 4 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Irlanda
\nelab. James E. Moore Jr.<\/td>\n		An irish blessing a\u00a04 v. <\/em><\/span><\/td>\n<\/tr>\n
Tradizionale Italia<\/td>\nO sanctissima \u00a0 <\/i><\/td>\n<\/tr>\n
Tradizionale Italia<\/td>\nOh! Guardate begli angioli a 4 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Italia
\nelab. Piergiorgio Righele<\/td>\n		Adeste fideles a 4 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Polonia<\/td>\nQuando nacque Ges\u00f9 a 4 v. <\/i><\/td>\n<\/tr>\n
Tradizionale Ucraina<\/td>\nSchedrik a 4 v.\u00a0<\/em><\/span><\/td>\n<\/tr>\n
Villancico natalizio Spagna<\/td>\nRiu, riu, chiu\u00a0a 4 v.\u00a0<\/em><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Classico e Romantico Brahms,\u00a0Johannes (1833-1897) Abendlied, op.92 nr. 3\u00a0a 4 v. e pianoforte Brahms,\u00a0Johannes (1833-1897) Abendst\u00e4ndchen op. 42 nr. 1 a 6 v. Brahms, Johannes (1833-1897) Darthulas Grabesgesang op. 42 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-templates\/two-sidebars.php","meta":{"_eb_attr":"","footnotes":""},"class_list":["post-523","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P72XuJ-8r","jetpack-related-posts":[{"id":588,"url":"https:\/\/www.complessovocalenuoro.it\/?page_id=588","url_meta":{"origin":523,"position":0},"title":"INTORNO A SCHUMANN","author":"CVN","date":"9 Maggio 2014","format":false,"excerpt":"Il concerto \u00e8 un omaggio alla figura di Robert Schumann, nel 200\u00b0 anniversario dalla nascita. 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